With a strong and often misunderstood history, it is difficult for Erdem Morelleglo to resist historical drama, given the statistics of the past. Cecil Baton and his sisters, Princess Doria Pamflage, Adele Oster, and the young Queen Elizabeth II, served as Moraleglu's musicians.
Spring was all about Emma Hamilton, Lord Nelson's famous lover. Moraleglu ate Susan Sontag's 1992 novel "The Volcano Lover" at the 18th-century royal court in Naples, and the tragic Emma, her love triangle, or the constant smoking of Mount Vesuvius. Could not get out
The designer took her to the Epping Forest in Essex, England (London designers have something for the forest this season, which is a natural habit). Empire waist gowns lined their way through the trees, lined with trees. Decorated with military-style ribbons for an entertaining film. Embroidered, scattered silk or organza fabrics, and long, sharp cotton with large, round lantern-like sleeves.
It reads like a crazy experience: lock Armadam Moraleuglo in a London house for four months, deny him access to the museums and libraries that oxygenate his storyteller's brain, and Susan Sontag Throw in the novel, then lean back and enjoy the show. "It starts with three people dancing on the lips of a volcano," the designer said of the collection, which he wrote and attracted quarantine. Inspired by a volcano lover, 18th-century beauty Emma Hamilton's portrait of Sontag, who married a volcano expert who fell in love with the Grecian vases and fell in love with Lord Nelson. Competed in everything that happened in the spring.
A copy of the book was presented as a show note, neatly wrapped in ivory tissue and placed on a fixed green velvet sofa in its South Audley Street store. In the Epping Forest, a Granny fool photographed a runway shorter than the audience, and Moraleuglu himself showed it in an iPad handheld. He lost himself in the story of Hamilton, who lived in Naples during the French Revolution and the effects of the earthquake that affected the whole of Europe. There, he befriended the sister of Napoleon's queen, Marie Antoinette. Followed the Grecian telex vantage point known as "attitudes". When he began to explode Vesuvius, he played the beautiful triangle of his love. You couldn't make it, and he didn't.
He expressed these sentiments in a meeting between the formal and the informal: a historic voyage that referred to the shuffling dress of the Gracie-Ups, the puff-sleeved empire of Silence, the sprinkling of the Nelsonian regalia, and Susan. There was a cameo of the post-Sontag modern cardigan.
Many of its embroidered muslin and organza fabrics and 18th-century floral jacquard numbers were treated with curling effects to create a sense of "poor" which means that in the tainted world of moral glue everything we have Like everyone else. But in the undergarments, there was a sense of resourcefulness, which reflected the idea of beauty in times of uncertainty. Some of the pieces looked as if they had been torn apart, Nelson's Admiral Jackets and Gresgreen Regalia smelled of them, and the opera coat seemed to wear the khaki utility.
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